What's new on DIME?
Who is Behind DIME?
Who is Behind DIME? - Simon Britton
Who is Behind DIME? - Christy Dena
DIME Course
Artists / Sponsors
Faustine Mabile
Matthias Kling
Artist 3
Who is Behind DIME? - Dean Murphy
Who is Behind DIME? - David Redman
Who is Behind DIME? - Ralph Moser
Who is Behind DIME? - Michelle Wilson
Who is Behind DIME? - Shana Levine
Who is Behind DIME? - Chris Mylrea
Who is Behind DIME? - Dale Cornelius
Who is Behind DIME? - John Leonard
Who is Behind DIME? - Tim Smart
Who is Behind DIME? - Scott Findlay
Who is Behind DIME? - Ellery Ryan
Who is Behind DIME? - Christine Miller
/Torn
About Torn
The Making of Torn
/Torn/The-Making-of-Torn
Ep 1: Eric, the director, arrives
Ep 2: Where are we gonna shoot this?
Ep 3: The search for a motel
Ep 4: The search Steve's office
Ep 5: The search for the bookstore
Ep 6: The search for Steve's office II
Ep 7: Clothes and Hair
Ep 8: The Actor playing the "Private Investigator"
Ep 9: The Props
Ep 10: The bookstore
Ep 11: The search for Steve's office
Ep 12: Bunker & elevator
Ep 13: The search for Daniel's flat
Ep 14: Going to school
Ep 15: Steve's home
Ep 16: Final production meeting
Ep 17: Flashback to 'Alien'
Ep 18: Shoot day 1 - Boookstore preparation
Ep 19: Shoot day 1 - Boookstore preparation II
Ep 20: Shoot day 1 - Boookstore preparation III
Ep 21: Shoot day 1 - Bookstore shooting
Ep 22: Shoot day 1 - Meeting Costas
Ep 23: Shoot day 3 - Chat with first AD
Ep 24: Shoot day 3 - Chat with the director
Ep 25: Shoot day 3 - Shooting at the motel
Ep 26: Shoot day 3 - Day and night
Ep 27: Shoot day 3 - Later that night
Ep 28: Shoot day 3 - Inside the motel room
Ep 29: Shoot day 3 - Final motel shoot
Ep 30: Shoot day 3 - Flopping
Ep 31: Shoot day 4 - Securing the location
Ep 32: Shoot day 4 - Who changed the ...?
Ep 33: Shoot day 4 - Steadycam moonwalk
Ep 34: Shoot day 4 - Another take?
Ep 35: Shoot day 5 - All by myself
Ep 36: Shoot day 5 - Do it slower
Ep 37: Shoot day 5 - That sign says what
Ep 38: Shoot day 5 - Blood pack
Ep 39: Shoot day 9 - No Boom
Ep 40: Shoot day 9 - Real estate office
Ep 41: Shoot day 9 - Elli's eye
Ep 42: Shoot day 9 - Darty
Ep 43: Shoot day 9 - Hey Buddy!
Ep 44: Shoot day 9 - Voila!
Ep 45: Shoot day 11 - Don't give out my ...
Ep 46: Shoot day 11 - And again ...
Ep 47: Shoot day 11 - Billy, the kid
Ep 48: Shoot day 11 - The rock shot
Ep 49: Shoot day 11 - fave steady cam shot
Ep 50: Shoot day 13 - Crew photo
Ep 51: Shoot day 13 - School play
Ep 52: Shoot day 13 - Funny stories
Ep 53: Shoot day 13 - Accent
Ep 54: Shoot day 14 - Supermarket preparation
Ep 55: Shoot day 14 - The calm before the storm
Ep 56: Shoot day 14 - Tensions build
Ep 57: Shoot day 15 - So about last night ...
Ep 58: Shoot day 15 - Chrysti spills the beans
Ep 59: Shoot day 15 - The Lawnmower Man
Ep 60: Shoot day 15 - Playing dead
Ep 61: Shoot day 15 - More blood
Ep 62: Shoot day 15 - Dragging the body
Ep 63: Shoot day 15 - I should be dead
Ep 64: Shoot day 15 - You lose
Ep 65: Shoot day 15 - Damien's birthday
Ep 66: Shoot day 17 - Production meeting
Ep 67: Shoot day 17 - Car keys
Ep 68: Shoot day 17 - The run (out of time)
Ep 69: Shoot day 17 - The money shot
Ep 70: Shoot day 17 - Robert stunt driver
Ep 71: Shoot day 17 - Lightning takes time ...
Ep 72: Shoot day 18 - Pick up day
Ep 73: Shoot day 18 - More pick ups
Ep 74: Shoot day 18 - Cam in the car
Ep 75: Shoot day 18 - Where's my script?
Ep 76: Shoot day 18 - The attic
Ep 77: Shoot day 18 - Some jokes
Ep 78: Shoot day 18 - Five extras, please
Ep 79: Shoot day 20 - Top that Richardson!
Ep 80: Shoot day 20 - Flop which way?
Ep 81: Shoot day 20 - Not finished yet ...
Ep 82: Shoot day 20 - No more long cold days
Ep 83: Shoot day 20 - A good experience
Ep 84: Shoot day 20 - Running with the car
Ep 85: Shoot day 20 - Ella and Bec
Ep 86: Shoot day 20 - Christian from Norway
Ep 87: Shoot day 20 - American is driving
Ep 88: Damien photo shoot
Ep 89: New actor Christine
Ep 90: Post production
Ep 91: Effects shots
Ep 92: Office pick ups
Ep 93: Interview with Dean
The P.I Diaries
/Torn/The-Private-Investigator-Diaries
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This site was designed, built and managed using dp.tv by Digital Pictures Interactive David Redman

In 1988 he joined the Recorded Releasing Group as Financial Controller of UK distribution and exhibition. Recorded Releasing Group was originally set up by Jeremy Thomas (Producer of The Last Emperor) and Chris Blackwell (Island Records), under the direction of Chris Auty (now Chief Executive of The Film Consortium, in London). David worked closely with all the firm?s principal executive officers.

As the company expanded into international sales, David learned the details of this side of the film business while also studying screen and script writing at he University of London. In 1989, David became Head of Finance for the group, before taking over as acting Managing Director in 1990. Since then, he has gained experience in all areas of the film industry.

In early 1992, David left to work as an independent producer and moved into production with the short film Hand of Fate. He then produced the feature film Funny Man. Between 1994 and 1996, David worked as Associate Producer on three co-productions. These were Before The Rain, a UK, French, Macedonian Co-Production which won the Golden Lion at the Venice Film Festival in 1994 and was nominated for an Academy Award in 1995, The Young Poisoner?s Handbook, a UK, German Co-Production awarded the Critics Prize at the Edinburgh Film Festival, and Sweet Angel Mine, a UK, Canadian Co-Production.

These films, shot in the UK and Macedonia, the UK and Germany and Canada respectively, gave David experience in physical production in a variety of conditions (including war in Yugoslavia) and with very different financing agreements. David helped bring all three films in on budget and on time.

David returned to Australia where he produced the comedy feature film, Muggers. Since then David has worked for Instinct Entertainment and was one of the producers on Till Human Voices Wake Us, Take Away, Strange Bedfellows, You and Your Stupid Mate and Torn. He has worked as a script editor on these and other projects as well as writing projects planned for production over the next two years.


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